The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Identify design requirements
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Customer requirements relating to the display of the artwork and frame features are determined Completed |
Evidence:
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Work area is cleaned and prepared to handle artwork in accordance with workplace standards Completed |
Evidence:
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Work health and safety (WHS) requirements, including personal protection needs, are observed throughout the work Completed |
Evidence:
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Workplace quality assurance requirements are recognised and adhered to throughout the work Completed |
Evidence:
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Artwork is handled in accordance with industry recognised handling methods and workplace procedures Completed |
Evidence:
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Artwork is assessed for colour qualities to identify primary, secondary, tertiary, harmonic and contrasting colours by colour wheel, and the aesthetic/mood evoking nature Completed |
Evidence:
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Artwork is assessed against the elements and principles of design and their impact on preservation/restoration and framing selection determined Completed |
Evidence:
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Design concept is developed and confirmed with the customer Completed |
Evidence:
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Develop frame design
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Historic, sentimental or monetary value of artwork ascertained through examination, research and/or consultation with customer Completed |
Evidence:
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Artwork is assessed to identify any impact preservation or restoration will have on frame design Completed |
Evidence:
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Compatibility of framing materials with the artwork is determined from manufacturer and industry information Completed |
Evidence:
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Principles of colour design are applied to select mat and framing materials to complement artwork Completed |
Evidence:
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A provisional design package is developed for presentation and discussion with customer Completed |
Evidence:
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Design package is revised to reflect customer requirements Completed |
Evidence:
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Construct ornamental frame
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Tools, equipment and materials are selected and checked prior to use to ensure that they are appropriate for the work in terms of quality, serviceability and safety Completed |
Evidence:
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Machinery is used in accordance with workplace procedures throughout the work, including use of personal protective equipment Completed |
Evidence:
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Material is cut to size and laid out in the required design Completed |
Evidence:
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Specialised/ornamental components are moulded/turned/carved/manufactured in accordance with workplace procedures Completed |
Evidence:
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Frame components are finished in compliance with the design specifications and assessed for fit and aesthetic appearance Completed |
Evidence:
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Frame is joined to comply with design in accordance with workplace procedures Completed |
Evidence:
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Finish to the frame and its fittings is applied to comply with design in accordance with workplace procedures Completed |
Evidence:
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Work is checked against required quality standards with any non-conformity being rectified Completed |
Evidence:
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Customer endorsement of finished frame is sought and any modifications identified and implemented Completed |
Evidence:
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Complete work
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Scraps and off-cuts are removed for disposal/recycling as required by workplace procedures Completed |
Evidence:
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Work area is cleaned and rubbish disposed of as appropriate Completed |
Evidence:
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Workplace documentation is completed as required Completed |
Evidence:
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Tools, equipment and unused materials are cleaned and stored following workplace procedures Completed |
Evidence:
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